V.O.I.D.
Visual Ontology of Invisible Dimensions
V.O.I.D. is an ongoing photographic exploration of reality as a multilayered and permeable structure. The project emerged from altered states of perception, lucid dreams, music-induced states, and experiences in which the familiar world seemed to reveal something beyond its visible form.
Through multiple exposure, optical distortion, experimental light and digital transformation, physical reality becomes material for visualizing what cannot be directly observed. The project unfolds through a personal system of perceptual layers, each representing a different mode of experiencing the unknown.
PORTAL
PORTAL is a series of paintings conceived as sites of encounter with unknown and non-human presences. The works emerge from altered states of consciousness, lucid dreams, intuition, imagination, and a heightened sensitivity to the atmosphere of spaces.
Painting becomes a way of approaching beings and forms that have no stable existence in ordinary reality. Each work develops through an intuitive process in which the image is not entirely predetermined, allowing a presence to gradually acquire its own form. The finished paintings function as portals: places of contact between the viewer and something that remains fundamentally unknown.
ECHO
ECHO is a site-specific artistic inquiry into rare places that exist on the physical map, yet seem to belong to another order of reality. In these sites, perception shifts with unusual intensity, space becomes charged, and the atmosphere of the landscape begins to act upon the body and attention.
The project combines photography, painting, video, sound, field notes and perceptual mapping to explore how such places affect consciousness and how their invisible character can be translated into artistic form. The title ECHO refers to what remains after contact: the imprint a place leaves in perception, returning through image, matter, sound and memory.
LULLABY
LULLABY returns to the earliest layer of my personal mythology: childhood nightmares, fears, and the first experiences of altered consciousness. Before I had any language for altered states, ritual, or the unconscious, darkness was already a living territory, inhabited by beings that emerged through dreams and imagination.
At the centre of the project is the paradox of childhood fear: the desire to hide from the unknown and, at the same time, to approach it. Through painting, photography, text, and objects, LULLABY traces the origins of my artistic practice, when drawing first became a way to preserve what I had encountered in dreams and give visible form to what emerged from the dark.
The project is an origin point for many themes that later developed throughout my work: presences, portals, ritual, charged places, and the unstable border between dream, imagination, and external reality.
